The Machinarium soundtrack is an extraordinary work, it has just appeared but it has already become classics. It’s like Peter McConnell’s music from the best games by LucasArts, like Terry Taylor’s immortal projects for The Neverhood and Skullmonkeys, like sound illustrations by Daniel Pemberton for Little Big Planet. The distinctive feature of Machinarium is not just in the fact that with all the variety of music sub-genres these tracks never disharmonize but also in providing a full immersion in the game world – you start to believe irrevocably in a musical world created by Dvorak as a part of a graphic universe of Dvorsky.

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