In text view
John Woo’s "Stranglehold", Midway Games (USA)
The Chronicles of Narnia – TV Trailer Music, Buena Vista Games (USA)
The Settlers “Heritage of Kings”, Bluebyte (Germany) / Ubisoft (France)
The Settlers “Realm of Shadow”, Bluebyte (Germany) / Ubisoft (France)
Gothic 3 – E3 Trailer, Piranha Bytes (Germany) / JoWooD (Germany)
Anno 1701 (1701 A.D.), Related Designs (Germany) / Sunflowers (Germany)
Anno 1602 (1602 A.D.), Max Design (Austria) / Sunflowers (Germany)
Anno 1503 (1503 A.D.), Max Design (Austria) / Sunflowers (Germany)
Paraworld, SEK (Germany) / Sunflowers (Germany)
SpellForce 2 “Dragonstorm”, Phenomic (Germany) / JoWooD (Germany)
SpellForce 2 “Shadow Wars”, Phenomic (Germany) / JoWooD (Germany)
SpellForce “The Order of Dawn”, Phenomic (Germany) / JoWooD (Germany)
SpellForce “The Breath of Winter”, Phenomic (Germany) / JoWooD (Germany)
1st place “Best German Game Soundtrack 2004”
SpellForce “Shadow of the Phoenix” , Phenomic (Germany) / JoWooD (Germany)
2nd place “Best German Soundtrack 2005”
Overclocked, House of Tales (Germany) / DTP (Germany)
Legend “Hand of God” , Master Creating (Germany) / DTP (Germany)
The Guild 2, 4Head Studios (Germany) / JoWooD (Germany)
Silverfall, Monte Cristo Games (France)
Desperados 2, Spellbound (Germany) / Atari (France)
Jack Keane, Deck 13 (Germany) / CDV (Germany)
Dracula Twins, Legendo (Sweden)
Darkstar One, Ascaron (Germany)
Emergency 4, 16 Tons Entertainment / Take Two (Germany)
The Show, Promotion Software (Germany)
Alexandra Ledermann 7 , Lexis Num?rique (France) / Ubisoft (France)
Alexandra Ledermann 6, Lexis Num?rique (France) / Ubisoft (France)
The Three Musketeers, Iridon Interactive (Sweden)
Bet on Soldier, Kylotonn (France) / Digital Jesters (UK)
American Conquest, Revolution of Strategy / CDV (Germany)
Ankh, Deck 13 (Germany) / Rebel Games (Germany)
1st place “Best German Soundtrack 2005”
Fashion Academy , Lexis Num?rique (France)
The Moment of Silence , House of Tales (Germany)
3rd place “Best German Game Soundtrack 2004”
Sacred 2 – E3 Trailer, Studio 2 / Ascaron (Germany)
SpellForce Series – All Cinematics & Trailers
1st place “Best German Game Cinematics 2004”
2nd place “Best German Game Cinematics 2004”
The Settlers – Heritage of Kings – Cinematics
1st place “Best German Game Cinematics 2005”
Back to Gaya, 4Head Studios (Germany)
Sudden Strike “Hidden Stroke”, Revolution of Strategy / CDV (Germany)
World Racing 2, Synetic / TDK (Germany)
Knights of the Temple 2, Cauldron (Slovakia) / TDK (Germany)
S?ldner Marine Corps, Wings Simulations / JoWooD (Germany)
Emergency 3, Promotion Software / Take Two (Germany)
Neocron 2 “Beyond Dome of York”, Reakktor (Germany) / 10tacle (Germany)
Billy Blade – Temple of Time, Iridon Interactive (Sweden)
Restricted Area, Master Creating / Vidis (Germany)
Castle Strike, Related Designs / Data Becker (Germany)
No Man’s Land, Related Designs / CDV (Germany)
Makai Online – Maintheme, Piratesoft (Taiwan)
Gene Troopers – Maintheme, Cauldron (Slovakia) / TDK (Germany)
Wanted Guns – Maintheme, Iridon Interactive (Sweden) / Microsoft (USA)
Wildlifepark 2 – GC Trailer & Intro, B. Alive / Deep Silver (Germany)
S?ldner Secret Wars – Maintheme, Wings Simulations / JoWooD (Germany)
Assignment Berlin, Sproing Interactive (Austria) / Valusoft (USA)
Все новости о Tilman Sillescu
23.05.2011
Crysis 2 soundtrack review
...As a matter of principle, I can tell for a long time, parse each track down to the smallest bones and admire - what good is. Doing this, however, is not necessary. Slavov, Sillescu and Zimmer turned to make surprisingly solid soundtrack, from any side. It is ideally verified for style, it is greatly meets the task and it excels from a technical point of view. Frankly, we face the same case as with God of War, when scold for nothing, and come up with words of praise is too difficult - so monolithic accomplished composers work is...
Read whole review.
23.05.2011
Creation of Crysis 2 soundtrack
Every big blockbuster is always a set of compromises between budgets, creativity and degree of risk. As a rule, the last one is the major one and therefore large projects (both movies and games) can rarely boast an abundance of new ideas. Nevertheless, it’s always interesting to learn how such projects were created and what limits do composers get over while working.
Game-OST had opportunity to talk to Borislav Slavov and Tilman Sillescu about their work on the soundtrack for Crysis 2. What kind of the objectives and goals they were faced with, how tight were the creative limits and how Hans Zimmer was involved in project.
Read more.
