Gyakuten Saiban 3 Original Soundtrack

Gyakuten Saiban 3 Original Soundtrack. Booklet Front. Click to zoom.
Gyakuten Saiban 3 Original Soundtrack
Booklet Front
Composed by Noriyuki Iwadare
Published by Suleputer
Catalog number CPCA-1089
Release type Game Soundtrack - Official Release
Format 1 CD - 34 tracks
Release date March 31, 2004
Duration 01:07:48
Genres
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Overview

Like most Capcom series, each successive iteration of Gyakuten Saiban has had a different composer behind the wheel. With Gyakuten Saiban 3 it seems that Noriyuki Iwadare tried to bring the series back to its roots after Akemi Kimura's very interesting, slightly bizarre, and surprisingly solid Gyakuten Saiban 2 soundtrack. Instead of finding a voice of his own, Iwadare uses Masakazu Sugimori's work on the original as a template for his work, for better or worse. If imitation is the most sincere form of flattery, I'm willing to bet that he is sitting in an unmarked van outside of Sugimori's house as I type this. It's a shame that Iwadare didn't really take the reins and go somewhere fresh with this mostly lackluster soundtrack because it falls pretty flat as a whole, despite several very cool and catchy courtroom and investigation themes.

Body

Let's start with the good. The melodies and progression of the first several courtroom themes are very enjoyable, especially when looked at as spiritual successors to the original Gyakuten Saiban themes. "Gyakuten Saiban 3 - Trial" is as ominous as ever; right from the get-go chiptune organs bleat out minor key harmonies that give off a feeling of oppression and foreshadow the tough trials to come. "Examination ~ Moderate 2004" fits very well with its mysterious and whimsical melody line, and its counterpart "Examination ~ Allegro 2004" kicks the song into double-time to show that Phoenix Wright is breaking a sweat while trying to catch the devious witness on the stand in a lie. "Announce the Truth 2004" is another great theme where Iwadare uses some unconventional timing with the melodies in the tune, giving it a slightly off-time feel. The loop is a little rough, but it works well enough.

In the courtroom, Iwadare has proven that he has what it takes to keep things interesting and ultimately listenable away from the Game Boy Advance. His investigation and search themes are also well done, with "Search ~ Opening 2004" fitting perfectly within the game's initial easygoing move-around-and-examine-everything sections of the game. Awesome, it's time to click stuff! "Investigation ~ Middle Stage 2004" steps it up with a melody that imposes a little more pressure on the player... things are starting to get a little uneasy in the field for Phoenix Wright. These themes are fairly solid and are fun to listen to.

When it comes to location and character themes, Iwadare really starts to thin out. "Dahlia Hawthorne ~ Distant Traces of Beauty" does a whole lot of nothing during its two minutes. Comprised entirely of slow one note synth swells and a very simple melody over them, the only thing beautiful about this track is when it finally fades out. "Godot ~ Fragrance of Dark Coffee" is initially intriguing due to its jazzy little faux-saxophone melody, but it gets less impressive and more repetitive as the track goes on. "Takabishiya Department Store" is appropriately bouncy and light-heartedly classical and is just about as enjoyable as the musak Macy's plays during the holidays. Price check on an annoying track, please. "I Just Want Your Love" follows suit being something that I can't recommend listening to outside of the Gyakuten Saiban gaming experience; I just want to skip this track.

Unfortunately, this string of shallowness follows suit throughout a good chunk of the rest of the disc, culminating in a series of weak and ultimately forgettable themes that I can't even bring myself to write about. How's "Warehouse Tiger"? Blah. "Hazakurain"? Oh, blah. "Winning! - The Victory Does Not End"? Blah! There is room in your brain for many other better things than these pieces. All of the important pieces are here as far as the courtroom and search scenarios are concerned, but the character and location themes bring this album down like a pair of cement shoes, and I'm tossing this one overboard.

Summary

If you're searching for a solid Gyakuten Saiban album, I highly recommend the Yomigaeru Gyakuten soundtrack, which has the remastered DS version of the original Gyakuten Saiban soundtrack. It is the peak of Gyakuten Saiban music thus far. I can only recommend the Gyakuten Saiban 3 Original Soundtrack for fans of this particular game or to devoted fans of Iwadare, but chances are that most of them that are reading this right now already own this soundtrack. Gyakuten Saiban 3 isn't necessarily a "bad" soundtrack, but it is mediocre as a whole and extremely shallow; what you hear on first listen is what you get. There's hardly any depth to these themes. Just like the last girl I dated, the more time I spent with this album, the less I enjoyed it. At least Iwadare doesn't burn everything he cooks.



Album
5/10

Music in game
0/10

Game
0/10

Tommy Ciulla

Overview

Since the Ace Attorney series made its United States debut in 2005, game critics have almost uniformly praised the series' soundtracks. The surprise hit text adventures have been welcomed fondly by American audiences, but considering the game's generally minimalistic presentation, only text and relatively static (but full of personality) character portraits, the music plays a major role in the series' storytelling. The Game Boy Advance soundtrack to Gyakuten Saiban 3 (later remastered for the US DS release Phoenix Wright: Ace Attorney - Trials and Tribulations) testifies that it maintains the series' high musical standard and can compete against the video game music canon at large. Is this a case Phoenix Wright would defend? Let us seek the truth.

Body

The core of the soundtrack, the music from the trial sequence (tracks 2-9), does not drift too far from the formula established by the first two games in the series, which is no major complaint. The music for the trial sequence has always been emotionally agile: they speak quickly, establishing their emotional content immediately while maintaining suspense throughout the game's action. They have also always sounded natural when played out of order to react to the flow of the game's different cases. All of these qualities remain in Gyakuten Saiban 3. The music remains effective, but there is a definite sense of déjà vu in the trial music.

That said, this game's effort for the trial sequence deserves to be examined for its own merits as well, so here goes. The first major track in the sequence, "Trial" uses baroque flourishes within a dramatic pop / rock setting to combine the stately courtroom with its earthly members as the basic facts of each case are introduced.

"Testimony", the track that accompanies the bulk of the action in the Ace Attorney trials, is a subtle but effective track. The track features a number of staccato lines interweaving to create a continuous rhythm. However, occasional moments where all parts stop the momentum of the piece create suspense while depicting a witness whose testimony is not entirely truthful. This suspenseful nature is augmented by generally static, cyclical harmonies that are occasionally interrupted by very surprising harmonic shifts. The latter parts of the piece, which a player will only hear if he is struggling with a witness that is particularly difficult to crack, add more sustained legato melody lines to the track and make the entire track feel both more dramatic and stable. It is as if the music were saying witness really is telling the truth, which is always bad news for Mr. Wright's client.

The allegro version of "Testimony" takes the same music from the original (complete with the sustained melody lines from the later half, ups the tempo, adds a drum track, crescendos into a sudden key change that adds a new background rhythm idea, and then moves into an entirely new section of music. This section maintains the interlocking staccato feel from the opening, but the lines are different now, and the harmonies move much more quickly for a very dramatic effect.

The other pieces in the trial sequence are used for special events, and they are very simple pieces aimed at producing a particular affect. "Ryuichi Naruhodou ~ Objection!" is about the same tempo as "Testimony ~ Moderato", but more harmonic direction gives the piece a sense of urgency, and the B section has an almost jazzy chilled out character that comes with Mr. Wright finding that crucial contradiction in the witness' testimonies. Similarly, "Pressing Pursuit" has nearly the same tempo as "Testimony ~ Allegro" but adds tremolo lines, and a repeating rhythmic motive under a heroic melody to really emphasize the high drama of the turnarounds that give the Gyakuten Saiban series its name. This track is one of the few effective uses of the infamous orchestra hit that is so popular on cheap MIDI keyboards. Finally, "Telling the Truth" brings back the baroque character from "Trial" but this time it brings drama. Another track devoted to the high drama of Wright's signature turnarounds, the intense minor key baroque ornaments are augmented by dramatic, rhythmically driven melodies. The piece comes off a bit awkwardly at times, but they make the piece more surprising, which fits with the track's purpose very well.

While the core trial sequence is certainly the centerpiece of the soundtrack, the music that occurs outside of the trial is what really tells the game's story, and gives each of the games its unique character. Gyakuten Saiban 3 features very convoluted cases, all of which relate to one another in surprising ways. Each character's storyline finds itself entangled in another character's mystery totally unaware that there even is a mystery. Iwadare prepares us for this aspect of the game immediately with the dramatic "Prologue". The piece starts and opens with dramatic arpeggiated chords, but it is the fugue inspired middle section of the piece that so resembles the events to follow. The subject is a mysterious melody that would not feel out of place in the opening to a Hitchcock film, and as the counterpoint continues, the harmony becomes thicker as the different lines intertwine. It feels very much like the story of the game to me. I would have liked to see this middle section fully realized instead of stopping at the point that all of the voices were introduced, but even as it stands it is an interesting way to introduce the whole of the game.

One of the major new characters in Gyakuten Saiban 3 is the mysterious prosecutor and coffee connoisseur Godot. His musical theme, "Godot - The Fragrance of Dark Coffee", is one of the most memorable additions to the series. It is a very relaxed, lounge tinted jazz tune lead by a memorable saxophone melody that is tinted with melancholy and occasionally hints at full fledged sorrow, particularly as the melody first comes to a close and turns the leading role over to the piano. More of this emotion is explored in the piano's exploration of the saxophone melody. The mellow melancholy still predominates, but there is more flavour of the sorrow in this track.

There are many other memorable character themes in the soundtrack, though none quite as much so as Godot's. "Kamen Masuku ~ Listen, Pleeeeeeeease!" and "Aiga Hoshiidake ~ I Just Want Your Love, That's All" are infectious melodic creations that call to mind circus music. "Trés Bien", despite having uncharitable levels of saccharine, is always stuck in my head, and I honestly don't mind it all that much. I have similar sentiments for "Takabishiya Department Store", though that track is not nearly as syrupy or as infectious as the former track. "Toranosuke Shibakuzo ~ Swingin' Zenitora" is a high-powered and exciting track that straddles the line between rock, blues, and jazz. It is one of the catchiest ditties in the series this side of "Oo-edo Soldier Tonosaman". "Erisu Tenryusai ~ Simple Melody" is a sublime creation as well, relaxing, yet engaging and beautiful.

There are some character themes that disappoint, such as Larry Butz's halfhearted pop tune, and the overbearing but not terribly memorable "A Painful Declaration, and a War Song". "Chinami Miyanagi ~ Distant Traces of Beauty" also fails to stick with me, despite being effective in game. For the most part, though, the character themes are as energetic and as memorable as the personalities they represent.

In addition to characterized location and character themes, Gyakuten Saiban 3 features some very beautiful elegiac tracks as well. "Detention Center ~ Elegy of the Arrested" is a very simple but touching piece, and my favourite in the series of the detention tracks. "Recollection ~ I Blame You", is the most expressive track on the album to my ears, and "Recollection ~ Oboro Bridge's Scenery" is only a step below the two former tracks in how it speaks to me. "Recollection ~ The Bitter Taste of Truth" is the only track in this vein that disappoints me, and it is not so much that it is a bad track, so much as it just does not seem to capture the complexity of Godot's situation quite as well as it could. The track is still a degree worse than the other three even without that considered, but it seems more a disappointment with the story considered.

I've covered the majority of the soundtrack thus far. All that remain are what are, to me, the most disappointing aspects of the album: the tracks for the ending and the introductions to the cases. None of the case introductions are terribly bad, they just don't carry the same emotional weight that those in previous games did. "Recipe for Turnabout" is my favourite of them all, as it really seems to build to a dramatic conclusion. "The Stolen Turnabout", however, does not do much for me at all, and while "Original Turnabout" tries to make a very effective use of the Gyakuten Sisters' theme, it never reaches the weight of the situation that I think it ought to.

The two ending themes, "Endless Victory" and "End" are not terrible. The latter in particular starts off very well, but descends into mediocre sentimentality. It is not mind numbingly so, but I still find it a little campy. "Endless Victory" is far worse in that effect, although it starts out painful, and just stays in that realm. As I said, these are not terrible tracks at all — they do create the effect they want to, they just are not quite where I would personally like them.

As far as the bonus disc that comes with the album, I would not go out of your way to attain it. All you get is a sound effects collection, updated sound versions of the "Gyakuten Sisters' Theme" and "Psycho Lock", and a medley of snippets from some of the series' catchiest track. The "Gyakuten Sabian 3 - Special Blend Mix" is just about the only track on the bonus track that's really interesting to listen to. The tracks are arranged pretty well to give the medley a nice dramatic shape, but it still is not all that well constructed, and feels more like a miniature best of album than a track in and of itself. There's a nice performance of Godot's theme, but you can get an even better blend on the series' jazz album.

Summary

All things considered, I think Gyakuten Saiban 3 absolutely lives up to the standard of the series' music, and is a pretty fine release on its own. It doesn't bring much new to the table in the courtroom, but I feel it uses the DS' sound board more effectively than any of the previous releases and the material stands well even if you are not used to the series' courtroom standards. The material unique to the game is very strong and memorable as well. While it does not feature any of the very identifiable material for some of the series' most important characters, it does have very memorable, emotional, and characterized material for the characters that it introduced to the series. I personally enjoy this soundtrack most out of the very good Gyakuten Saiban soundtracks, though it does not have quite the high points either of the two former games did, I find it more consistently engaging. Strongly recommended, and this is coming from a man who is known to not be terribly fond of composer Noriyuki Iwadare, so you should definitely check this one out.



Album
9/10

Music in game
0/10

Game
0/10

Richard Walls

STAFF

    Executive Producer TOSHIHIRO TOKUMARU(CAPCOM)
                   Producer MAREO YAMADA(CAPCOM)
                          A&R HIDENORI SHINOHARA(CAPCOM)
                                 IZURU MATSUMOTO(CAPCOM)

                Composer NORIYUKI IWADARE

    Sound Cooridnator MASAMI UEDA(CAPCOM)

     Mastering Engineer YOSHIHIKO ANDO
        Mastering Studio AODABAI STUDIO

         Art Coordinator MASATOSHI ISHITSUKA
                                (SONY MUSIC COMMUNICATIONS)

Art Director&Designer AKIRA KASA(CAPCOM)
Album was composed by Noriyuki Iwadare and was released on March 31, 2004. Soundtrack consists of 34 tracks tracks with duration over more than hour. Album was released by Suleputer.

CD 1

1
Gyakuten Saiban 3 · Prologue
01:14
2
Courtroom Lounge ~Neverending Overture
01:38
3
Gyakuten Saiban 3 · Trial
02:29
4
Questioning ~Moderate 2004
01:53
5
Ryuuichi Naruhodou ~Objection! 2004
01:59
6
Questioning ~Allegro 2004
02:45
7
Pressing Pursuit ~Cross-Examination
02:00
8
Telling the Truth 2004
02:09
9
Pressing Pursuit ~Cross-Examination / Variation
01:48
10
Chinami Miyanagi ~Distant Traces of Beauty
02:16
11
Godot ~The Fragrance of Dark Coffee
02:30
12
Jingle ~Can't Turn Back to Everyday Life
00:06
13
Investigation ~Opening 2004
02:02
14
"Stolen Reversal"
01:21
15
Takabishiya Department Store
02:20
16
Detention Center ~Elegy of the Captured
02:13
17
Phantom Thief Kamen Mask ~Pleeeeease Listen!
01:42
18
Aiga Hoshiidake ~I Just Want Love
01:48
19
Yahari Masashi ~When Something Happens, I'm Usually There
01:57
20
"Reversal Recipe"
00:38
21
Beauty Hermitage
01:45
22
Shouhei Igarashi ~A Painful Declaration, and A War Song
01:39
23
Toranosuke Shibakuzou ~Swingin' Zenitora
01:46
24
Recollection ~What the Others Have Seen
02:46
25
"Reversal of the Beginning"
00:50
26
Recollection ~A Shadow on Oboro Bridge
02:06
27
Hazakurain
02:58
28
Elise Tenryuusai ~Simple Melody
02:40
29
Investigation ~Middle Stage 2004
02:09
30
Recollection ~The Bitter Taste of Truth
02:36
31
Pressing Pursuit ~Cornered 2004
01:33
32
Won the Lawsuit! ~The Victory Does Not End
02:40
33
Gyakuten Saiban 3 · End
03:56
34
Arrival Melody / Godot
01:36
30.04.12

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