Sing!! Street Fighter II

Sing!! Street Fighter II. Front. Click to zoom.
Sing!! Street Fighter II
Front
Composed by Isao Abe / Yoko Shimomura
Arranged by Hideya Nagata / Hiroyuki Negishi / Seiji Toda
Published by Pony Canyon
Catalog number PCCB-00103
Release type Game Soundtrack - Official Release
Format 1 CD - 12 tracks
Release date December 16, 1992
Duration 00:50:06
Genres
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Overview

Shortly after the release of Street Fighter II: The World Warrior, Capcom released a vocal album dedicated to the game, Nesshou!! Street Fighter II. It featured diverse vocalists interpreting the 12 character themes from the game and trying to get into the personality of the characters. To accompany the release, a karaoke version and instrumental adaptation were also provided. While the idea of having voice actors interpreting their character themes sounds interesting, can it possibly work with the material provided? Were the instrumental versions any better?

Body

One of the biggest problems with the vocal album is that the singers seem unsuitable to represent Street Fighter II's characters. The almighty Guile is represented by a feeble Japanese who isn't quite sure whether his voice has broken. The eccentric Dhalsim now sounds little more than a murmuring fool. Even the lead male Ryu sounds incredibly boyish here due to the casting of Junichi Yamamoto. Part of the issue is that the sheer majority of the album is sung in Japanese. Japanese lyrics set to Chinese- or Brazil-inspired melodies sound just as inappropriate as English lyrics would. It's perhaps no coincidence that the one really solid track on the set features lyrics in the appropriate language. The bluesy performance by American vocalist Hi Tide Harris is just sublime on Balrog's theme. An outstanding example of what the album could have been like.

Though Street Fighter II's melodies were strong and memorable, they weren't really intended for singing. Sure, most of us have whistled or hummed a melody from the game from time to time, but few of us could really imagine ourselves doing karaoke based on the game (see later). Maki Miyamae's voice isn't peppy enough to portray Chun-Li's frivolous melody yet few other vocalists could sound natural. While Vega's singer is competent, the melody seems more suited to a fast and gliding Spanish guitar than a stern vocal performance. Probably the biggest misfit is Sagat's theme, though. How anyone thought a funk-inspired theme could be compatible with an operatic tenor performance is beyond me. The awkward melodies can make some performances even more hilarious though. The boisterous portrayal of a clumsy Russian giant or wild representation of electric man Blanka are bound to generate a few laughs!

That said, some of the instrumental work is good. Despite the vocals being off, the construction of Vega is otherwise sublime; the ritualistic drums and horror sound effects provide a shocking contrast to the beautiful piano solos and dashes of flamenco. The slow-building piano and strings introduction to M. Bison is made all the more chilling by the obsessive repetition of the two chord sequence from the original. Other highlights include wild electric guitar solo on Guile, some of the jazz fusion guitar use on Sagat, and of course the cheesy bass line of Zangief. The instrumentals in the remaining tracks tend to provide functional accompaniment or rhythmical sequences, but provide little interesting. A side note is that the music of some tracks, including Ken, E. Honda, and Dhalsim, can be obstructed by occasional sound or voice effects taken from the game. they are especially annoying in the instrumental versions.

There were also two instrumental versions of this arranged album. The Nesshou!! Street Fighter II Original Karaoke Version is exactly the same as this release except without the lead vocals. For almost all audiences out there, this album is completely redundant and a waste of money. Though it's a relief not to have any terrible vocalists, the album sounds very hollow and uninteresting without them. It's definitely not for stand-alone listening. A closet audience out there might want to try singing over these themes and seeing if they can better the original vocalists. It's necessary to have a copy of the original counterpart though. I can only cringe at the thought of someone in Japan actually performing these themes at a karaoke evening, though. If you're reading this and thinking 'Why? It sounds like an amazing idea', please don't corrupt my inbox with your emails as I'll be too scared to reply.

The Sing!! Street Fighter II Instrumental Version differs because instrumental performances replace the vocals. This is ideal for people who are incompatible with these vocals (or singing in general), but the album is a low quality production. The synthetic lead instruments tend to be poor quality; the saxophone on Ken is just atrocious and the violin on Chun-Li is bound to raise some eyebrows. Worst still, the leads on Zangief, Balrog, and Sagat are replaced with cheap keyboards that sound completely inappropriate given the characters and the accompaniment. The drama is lost from Vega too with the shoddily integrated lead. There are a few examples where the instrumental versions sound better than the originals, such as M. Bison with chalumeau clarinet, Ryu with steel-stringed guitar, and Dhalsim with groovy sitar. However, they're way too few to save this production and make it compare against other instrumental arranged albums.

Summary

Put simply, Nesshou!! Street Fighter II is a ridiculous album. The vocalists rarely seem compatible with the melodies they sing or the characters they represent. Few arrangements feature good enough instrumentals to compensate for the limitations. There is only one truly accomplished arrangement on the disc, the bluesy Balrog's theme, while the rest range from flawed but interesting to completely awful. Unfortunately, the karaoke version is a very hollow accompaniment and will only fulfil the needs of a mentally deranged niche. The instrumental version had more potential, but has very low production values as demonstrated by the inappropriate choices and poor synthesis of the leads. Skip these albums in favour of the better Street Fighter II albums.



Album
4/10

Music in game
0/10

Game
0/10

Chris Greening

All songs composed by Pii♪ (Yoko Shimomura)
   except 11 composed by Oyaji (Isao Abe)

All arranged by Seiji Toda
  except M-7 by Hiroyuki Negishi
           M-12 by Seiji Toda & Hideya Nagata

Vocals by Maki Miyamae (CoCo) (1)
               Hironobu Kageyama (2)
               Dengeki Network (3)
               Uganda (4)
               Tomoharu Iwasa (RABBIT) (5)
               Seiji Toda (FAIRCHILD) (6)
               Joji Shimaki (7)
               Junichi Yamamoto (hikaru GENJI) (8)
               HI TIDE HARRIS (9)
               ETHICA (10)
               Kouichi Makigami (11)
               Strong Kongo (12)

Words: Neko Oikawa (1)
           Hitoshi Kobayashi + Tiger Lyrics Group (2.4)
           Riko Kushida + Tiger Lyrics Group (3.10)
           Koji Orihara + Tiger Lyrics Group (5.11)
           Seiji Toda (6)
           Tiger Lyrics Group (7)
           Goro Matsui (8)
           HI TIDE HARRIS (9)
           (Japanese Translation: Mamiko Atsumi)

Additional Musicians

Guitar: Kazuhiko Shibayama (1.2.3.5.7.8.10.11)
           HI TIDE HARRIS (9)
Cho: Yuko Kawai (1)
        Keigo Oyamada (6)
        Osamu Hikita (8)
        Hiroaki Suzuki (8)
Bass: Nobuo Nakahara (2.5)
Drums: Atsunobu Yakabe (2)
            Yoshie Toda (5)
Rap: Keigo Oyamada (6)
Pf: Masaki Tsurugi (10)

Special Guest: YOU (FAIRCHILD) (7)

Produced by Seiji Toda
Synthesizer Effect, Computer Program: Seiji Toda
Co-Computer Program: Romance Uemori, Hiroyuki Negishi, Hideya Nagata
Manipulator: Romance Uemori
Words Team "Tiger Lyrics Group" are Riko Kushida
                                                       Koji Orihara
                                                       Hitoshi Kobayashi
Recording Engineer: Isao Nakazaki, Hisao Kemori, Tatsumi Takagishi, Masao Saotome
Mix Engineer: Isao Nakazaki, Hisao Kemori
Mastering Engineer: Hisao Kemori
Recorded at Sonata Club, Taihei Rec St, St JAM, Hitokuchizaka St
Mixed at Sonata Club, Kawaguchiko St
Co-Producer: Yoshihiro Ohno (Scitron & Art)
Director: Masaki Usui (Pony Canyon)
Co-ordinator: Etsuko Hiraishi, Hisakazu Yoshida (Day break)
Executive Producer: Susumu Tanaka (Pony Canyon), Kazusuke Obi (Scitron & Art)


The first print came with a calendar as well as a slipcase (featuring a 'wrap-around' obi) which fit both the album and the calendar.
Album was composed by Isao Abe / Yoko Shimomura and was released on December 16, 1992. Soundtrack consists of 12 tracks tracks with duration over about 50 minutes. Album was released by Pony Canyon.

CD 1

1
towards the dream position [CHUN LI] (Spinning Long Version)
05:12
2
Crimson Ken ~Burning Blood~ [KEN]
04:25
3
blanka has come to town!! [BLANKA]
04:04
4
a thrust of the hand: spirit of japan [E. HONDA]
03:36
5
lonely wolf [GUILE]
04:31
6
in faraway india [DHALSIM]
04:22
7
dread! vacuum man!! [ZANGIEF]
03:19
8
becoming the storm [RYU] (Tornado Intro Version)
04:49
9
Bison's Dream [BISON]
04:42
10
masked narcissist [BALROG]
04:04
11
tiger legend [SAGAT]
03:05
12
silent gravestone [VEGA]
03:57

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