Joon Shining Original Soundtrack
| Composed by | Angus Barnacle |
| Published by | Kna Music |
| Release type | Game Soundtrack - Official Release |
| Format | 1 Digital - 13 tracks |
| Release date | February 17, 2023 |
| Genres |
Composer: Angus Barnacle
The official soundtrack for Joon Shining is a feast of rarely heard instruments, enchanting melodies and novel ensembles evoking the mysterious and death-defying ambience of Dodo Archipelago.
Beginning with Joon's whispering violin melody as she dares to defy the Spectre of Extinction, the music winds its way through an adventurous array of instruments and ensembles as Joon explores the diverse environments of Dodo Archipelago. Echoing Joon's magical quest to reanimate extinct dodos, composer Angus Barnacle has written the score for all-but-forgotten instruments such as the conch shell horn, bone clap-sticks and ancient hunting whistles, as well as medieval treasures such as sack butts, lutes, harpsichords and viols.
He has further taken care to employ archaic ‘just intonation’ tunings that were rendered more or less extinct when equal temperament was adopted during the nineteenth century, breathing new life into a diversity of forgotten intervals just as Joon breathes new life into the diversity of the fauna on Dodo Archipelago
The official soundtrack for Joon Shining is a feast of rarely heard instruments, enchanting melodies and novel ensembles evoking the mysterious and death-defying ambience of Dodo Archipelago.
Beginning with Joon's whispering violin melody as she dares to defy the Spectre of Extinction, the music winds its way through an adventurous array of instruments and ensembles as Joon explores the diverse environments of Dodo Archipelago. Echoing Joon's magical quest to reanimate extinct dodos, composer Angus Barnacle has written the score for all-but-forgotten instruments such as the conch shell horn, bone clap-sticks and ancient hunting whistles, as well as medieval treasures such as sack butts, lutes, harpsichords and viols.
He has further taken care to employ archaic ‘just intonation’ tunings that were rendered more or less extinct when equal temperament was adopted during the nineteenth century, breathing new life into a diversity of forgotten intervals just as Joon breathes new life into the diversity of the fauna on Dodo Archipelago
| 1 | Varidia - for orchestra and ancient hunting whistles | ||
| 2 | Worlds - for mixed choir and orchestra | ||
| 3 | Aquas - for brass ensemble, water phone and percussion | ||
| 4 | Arogana - for trumpet, guitar, strings, whistler and percussion | ||
| 5 | Jenola - for male choir, ney, shell horn, trombones, tanbur, lute, strings and percussion | ||
| 6 | Ius Machina - for harmonica, saxophones, strings, jaw harp and percussion | ||
| 7 | Eris - for mixed choir, woodwinds, brass, lute, cimbalom, strings and percussion | ||
| 8 | Regalia - for recorder, woodwinds, sackbuts, harpsichord, strings and percussion | ||
| 9 | Celestial - for shell horn, dulcitone, string trio and shakers | ||
| 10 | The Spectre - for male choir, drone flute, string quartet and hand drums | ||
| 11 | The Spectre’s Heart - for dulcitone and string ensemble | ||
| 12 | Tunnels - for choir, orchestra, echo chamber and tape machine | ||
| 13 | Peal - for mixed choir and orchestra |
