Madeline Bell will voice the upcoming Assassin&39;s Creed Revelations.
We already wrote about this contest organized by Ubisoft. The goal was to find and select the female singer for the main theme of Assassin&39;s Creed: Revelations. In the role of the jury spoke Hans Zimmer, Lorne Belf and Simon Landry.
The full top ten finalists, including Madeline, you can listen here.
Along with Jesper Kid a protégé of Hans Zimmer, Lorne Belf also works on the soundtrack.
Assassin&39;s Creed: Revelations will be released on November 15 on PS3 and Xbox 360. PC-version release has been delayed and rescheduled for December.
Via VG247
Seems that Jesper Kyd will share a chief composer occupation of Assassin&39;s Creed: Revelations.
Ubisoft announces the contest, the winner of which will be the "voice" of the main theme of Assassin&39;s Creed: Revelations, will receive a place in the credits and $ 1,000 in addition. Girls only allowed participating, and a rough sample of what is might be can be heard on the official website of the project. But this is not the main thing.
The winner will be selected in two stages. The first step is to gather up as many as possible facebook "Like" for the track. The second part is listening by several composers, including Lorne Balfe and Hans Zimmer.
What on earth do they do here? In the video-clip (see below), Balfe said he is the composer. He doesn’t mention a major one or not, but the competition is devoted to the main theme of the game, so that the basic version is: Zimmer and Balfe write the key themes of the game, setting the emotional vector, while Jesper Kyd is engaged in the most laborious task, voicing the rest of the soundtrack.
Of course, we wait for official announcements, but the situation probably will not change.
We recall that AC: Revelations is the final part of the story of Altair and Ezio. Game will launch this November on PC, PS3 and Xbox 360.
...As a matter of principle, I can tell for a long time, parse each track down to the smallest bones and admire - what good is. Doing this, however, is not necessary. Slavov, Sillescu and Zimmer turned to make surprisingly solid soundtrack, from any side. It is ideally verified for style, it is greatly meets the task and it excels from a technical point of view. Frankly, we face the same case as with God of War, when scold for nothing, and come up with words of praise is too difficult - so monolithic accomplished composers work is...
Read whole review.
